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The first time you successfully kill one is a Moment of Awesome for you, the player. Final Fantasy I, II, III: Memory of Heroes English Cover Revealed. Cancel 0 Cart 0 items in shopping cart 0 Cart 0 items in shopping cart. Background 2 Home release 3 Story 4 Characters 5 Continuation of Final Fantasy: Unlimited 6 Music 7 Gallery 7.1 JP VHS and DVD artwork 7.2 ADV DVD covers 7.3 Miscellaneous 8 External links Originally scheduled for 52 weekly episodes (two seasons), due to box office failure of The Spirits. Final Fantasy Type 0 is a PSP game but you can play it through PPSSPP a PSP Emulator and this file is tested and really works. Xbox, PSN cd-keys and much more! Full Version Softwares Download with Keygen: 2020 my latest blog post.

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FFXIII Q&A, Batch 3: Lindzei, Etro's Gate, & the Cocoon Fal'Cie

 

Diving into FINAL FANTASY XIII

  • Update (11/08/20): Check out the above link to see the complete FFXIII deep-dive post compilation.
 
 

Contents

 
  • Notes on the Terminology and Sources
  • Who created Cocoon? Lindzei or Barthandelus?
  • Whose plan was it to sacrifice Cocoon to open the Door of Souls?
    • Did Barthandelus come up with it, or was he following Lindzei’s orders?
    • Why did the fal’Cie believe that opening the Door would bring back their Maker?
      • Lindzei’s nature as a deity
      • Lindzei’s view on humanity
      • Why Lindzei had Cocoon created
      • Why Lindzei left the Physical Realm
  • Other Questions
    • What is the Cocoon fal’Cie hierarchy?
    • How does the Purge fit into Barthandelus’ Plan?
    • Was Kujata branding Dajh part of Barthandelus’ Plan?
    • What were the 3 humanoid figures that the party saw in Orphan’s Cradle?
    • Who do the two faces of Orphan’s 1st form represent?
    • Why were there two Doors that appeared? One in Eden and the other behind Orphan?
    • What were those crystal lights that were floating around Eden?
      • Follow-up: Were the lights seen in the Vestige the same as the ones in Eden?
    • What does the “Poem of Ragnarok” on Orphan’s form say?
 
 
Note: The first half of this post is pure theory-craft, so don’t take the verdicts as confirmed facts by any official sources.
 
 

Terminology:

  • Lindzei’s Gender - is ambiguous in the FNC Mythos. But since Lindzei is depicted as a maternal figure by the Cocoon fal’Cie, she’ll be referred to as female.
  • Door of Souls - or simply “Door”, will be used to refer to Etro’s Gate since that’s the term used in the first game. Note that the Door was already being pursued before Etro traveled to the Unseen Realm and it came to be called Etro’s Gate.
  • English Localization & Japanese Translation - “ENL” refers to the official English script we have in-game. “JPT” refers to the Japanese script if it was translated to English word-for-word.
 

Sources:

  • Ultimania - based on the Plot Analysis Guide. Some parts of the Ultimania were written more like “speculation” rather than “definitive answers” (and I don’t mean the Speculative Analysis sections included by the author of the guide).
  • Datalog: Analects - Certain entries were written by humans from Gran Pulse who are biased against Cocoon and are not privy to the actual nature of the gods and fal’Cie. This is why some entries seem like mere theories or speculation and don’t show us the whole truth.
  • ENL vs. JPT - It’s a known fact that the ENL has numerous errors throughout the trilogy. So if there are any contradictions between these two, JPT takes precedence.
 
 

Who Created Cocoon? Lindzei or Barthandelus?

 

The Evidence:

pt. INFO SOURCE
A Lindzei created humans and established Cocoon along with the fal'Cie. The Crystal Legend (Ultimania)
B Barthandelus was given the mission of building Cocoon. Cocoon’s Construction & History (Ultimania)
C1 The viper Lindzei - crafted a cocoon both ghastly and unclean. Analect 2 (ENL)
C2 The family of the sly Demon - made an unsightly cocoon in the sky. Analect 2 (JPT)
D1 Lies spilled from the serpent’s tongue - men were seduced and led away. Analect 2 (ENL)
D2 The Demon took people away, tempting them with lies. Analect 2 (JPT)
E1 Cocoon fal’Cie are of Fell Lindzei’s line - left orphans when their Succubus fled this earthly realm. Analect 8 (ENL)
E2 The fal’Cie of Cocoon are the brood of Lindzei - became orphans when the fell god left this world. Analect 8 (JPT)
F Cocoon is a factory built by fal’Cie. Chapter 9, Barthandelus (ENL)
G Cocoon. The nest built by the servants of Lindzei. Chapter 11, Prophecy read by Vanille (JPT)
Note: Demon/VipeSerpent/Succubus = Lindzei
 

The Breakdown:

  • [A] states that Lindzei built Cocoon “with the fal’Cie”, so Barthandelus was definitely involved as supported by [B], [C2], [F] and [G].
    • Note: The ENL version of [G] only says, “Cocoon. Where the slaves of Lindzei dwell.”
  • Notice the choice of words in [A]. It says that Lindzei “created” humans, which she did. Then it says she “established” Cocoon with the fal’Cie. This suggests that Lindzei was present during Cocoon’s construction, but she didn’t necessarily build it. Barthandelus was the one who did the actual building while Lindzei added more fal’Cie to help him construct, operate, and maintain it.
  • In Analect 2, there is a disconnect between [C1] and [C2] with the ENL saying it was Lindzei and the JPT saying it was the fal’Cie. JPT takes precedence, but both can very well be true.
  • Despite the earlier contradiction, [D1] and [D2] both corroborate that Lindzei was the one who lured humans from Gran Pulse to migrate into Cocoon.
  • Analect 8 was written by a Pulsian who existed after Cocoon’s construction and, presumably, around the time the gods departed. [E1] and [E2] similarly imply that Lindzei left after Cocoon was built.
 

The Verdict:

Lindzei and Barthandelus created Cocoon together.

Timeline:
  1. Lindzei created Barthandelus and tasked him to construct Cocoon.
  2. While Barthandelus built Cocoon’s structure and shell, Lindzei filled it with more fal’Cie to perform specific functions and tasks.
  3. After construction was complete, Lindzei lured humans from Gran Pulse to Cocoon.
  4. With the humans successfully migrated and the fal’Cie serving their purpose, Lindzei puts Barthandelus in charge and departs the Physical Realm.
 
 

Whose plan was it to sacrifice Cocoon to open the Door of Souls?

Did Barthandelus come up with it, or was he following Lindzei’s orders?

Why did the fal’Cie believe that opening the Door would bring back their Maker?

 
A 3-in-1 combo section since the analyses and conclusions are all related. What prevents us from directly answering these is the fact that we don’t know much about Lindzei’s character. So what we mainly need to figure out in order to fully explain the questions are:
  1. Lindzei’s nature as a deity
  2. Lindzei’s view on humanity
  3. Why Lindzei had Cocoon created
  4. Why Lindzei left the Physical Realm
 
pt. INFO SOURCE
A Bhunivelze created fal’Cie Pulse and fal’Cie Lindzei to search for the Door of Souls. FNC Mythos
B Pulse’s 2nd task is to create the world. Lindzei’s 2nd task is to protect the world. FNC Mythos
C Lindzei fashioned humans using Etro's blood. FNC Mythos
D Both Pulse and Lindzei were granted near limitless power. Mythology (LR Datalog)
E1 Sage [Lindzei] turned mind’s eye inward, seeking truth profound. Analect 1 (ENL)
E2 The wise god [Lindzei], seeking truth, obtained wisdom unmatched. Analect 1 (JPT)
F Cocoon was built using resources from Gran Pulse to “ensure the propagation of humanity.” Cocoon’s Construction & History (Ultimania)
G Barthandelus plots to sacrifice the people he has propagated to open the Door. Barthandelus’ Plan (Ultimania)
H1 “What else does one do with tools?” Chapter 9, Barthandelus (ENL)
H2 “Cocoon is a factory for the mass production of human thralls.” Chapter 9, Barthandelus (ENL)
H3 ”What can mere men do? Without our help, death is all of which you’re capable.” Chapter 9, Barthandelus (ENL)
I1 ”Too frail a shell, and humans should not thrive. Too stout a shell, and they would not die.” Chapter 13, Orphan (ENL)
I2 ”Slaughter and salvation! Two irreconcilable Focuses we bore.” Chapter 13, Orphan (ENL)
J The Ragnarok Poem is engraved on Orphan’s 1st & 2nd forms. Concept Art (Ultimania)
 

1. Lindzei’s nature as a deity:

  • Lindzei was created to replace Etro in helping Pulse search for the Door of Souls [A], so we’re to presume that the search for the Door is the main motive that drives all of Lindzei’s actions.
  • Pulse, Lindzei, and Etro are considered fal’Cie in the FNC Mythos [A]. This is apparent by how they were created with specific tasks/Focuses to accomplish, and in the way Etro fell into despair, being a fal’Cie without a purpose. In contrast, as a god, Bhunivelze is free do to whatever he wants.
    • Bhunivelze went to sleep before the Pulse fal’Cie, Cocoon fal’Cie, and humans were created. Because of that, they were largely unaware of the existence of this higher deity so Pulse, Lindzei, and Etro instead came to be known as the gods of their world.
  • Lindzei is regarded as the divine protector [B], tasked to protect Bhunivelze and his realm while he slept in crystal. [C] and [F] highlight the difference in capabilities between “Pulse the creator” and “Lindzei the protector”. While Pulse is able to create the world of Gran Pulse himself, Lindzei isn’t able to create without the use of pre-established materials:
    • Etro’s blood to create humans.
    • Pulse resources to create Cocoon.
  • The words “near limitless” [D] imply that Lindzei does in fact have limitations. So since there’s evidence that Lindzei’s power is limited when it comes to creation (which is Pulse’s domain), perhaps she has other limitations that relates to her role as Bhunivelze’s protector fal’Cie:
    • She’s prohibited from intentionally causing death/destruction to anything in the Physical Realm.
 

2. Lindzei’s view on humanity:

  • The phrasing of [E] seems to detail how Lindzei sought to understand (“seeking truth”) the metaphysical workings of the Physical Realm (“turned mind’s eye inward”) to locate the Door. Since Lindzei created humanity [C], perhaps the “unmatched wisdom” that Lindzei obtained [E2] pertains to her realization of the existence of souls. Upon witnessing numerous deaths of these humans [H3], she learned how their souls pass through the Door to travel to the realm beyond.
  • Humans are regarded as mere tools [H1] or thralls [H2] by the fal’Cie and this mindset can most likely be extended back to Lindzei as well. She saw the potential in utilizing humans to accomplish [A], thus she came up with [F] to best hinder [H3] so she can mass produce their souls.
  • In order to use those souls to locate the Door though, she would need to slaughter the humans harboring it [G]. But the problem is that killing, or any destructive action in general, is a violation of her secondary task to protect [B]. So, it’s possible that she created Barthandelus not just to accomplish [F], but also to devise a workaround to carry out [G].
 

3. Why Lindzei had Cocoon created:

  • [F], backed up by [H2], specifies that Lindzei had Cocoon created for humanity’s “propagation” and not necessarily for “protection”. But in order for humans to successfully propagate, they did require some degree of protection. So the premise behind Cocoon’s construction as a “haven for humanity” perfectly encompasses Lindzei’s role as a protector.
  • [I1] implies that Cocoon was built to be strong enough to protect humans, but also weak enough so it’s possible to destroy. If Cocoon was created solely for humanity’s wellbeing, making Cocoon’s shell “too stout” shouldn’t have been a concern.
  • [I2] states that Orphan bore “two irreconcilable Focuses”. Note how the word “Focus” was used which implies Orphan’s death wasn’t just its “desire”, but also its “destiny” as intended by Lindzei. Orphan’s existence (and by extension, Cocoon) is one big irreconcilable contradiction which also reflects Lindzei’s conflicting tasks:
    • “Salvation” indicates Cocoon’s function to shelter humanity, per Lindzei’s role as divine protector.
    • “Slaughter” indicates Cocoon’s purpose to massacre humanity, per Lindzei’s task to locate the Door.
  • [J] further backs the notion that Cocoon was always destined to be destroyed. It may also suggest that another piece of “unmatched wisdom” Lindzei obtained [E2] is the existence of Ragnarok and the destructive power it holds. Since Lindzei was the one who created Orphan, she must've planned for it to be slain by Ragnarok from the very start. Why else would Ragnarok’s name be engraved on Orphan’s 1st and (more importantly) 2nd forms?
    • So basically, Cocoon was designed to be totally reliant on the fal’Cie who was destined to be killed by Ragnarok. If that doesn’t give away Lindzei’s own intentions behind Cocoon’s conception, I don’t know what does.
 

4. Why Lindzei left the Physical Realm:

For this last one, let’s look at a specific entry from the Ultimania under the section “Aim of the fal’Cie”.
[K] The fal'Cie believe they can meet Pulse and Lindzei if they open the Door, but whether or not that is the case is unknown. [L] It may very well be the case that the gods themselves are searching for the Door and [M] are manipulating the fal'Cie.
  • As mentioned in the above notes, some parts of the Ultimania are written as “speculation”. This paragraph is a good example of it.
  • That said, we know for a fact that [K] is false because Pulse and Lindzei aren’t behind the Door. They went to dwell in the ominous dimension where l’Cie are transported to when they’re branded. It seems likely this dimension is the same place where Bhunivelze slumbers, seeing that Lindzei’s other tasks were to protect Bhunivelze and wake him up once the Door was found.
    • In LR:XIII, Lightning describes Cosmogenesis as a realm “known only to the gods”. Perhaps that is the exact dimension where Pulse and Lindzei disappeared to, especially since both are shown to have manifested there in person.
  • On the other hand, [L] is precisely true despite the hypothetical vibe that the word choice seems to portray. So if [L] is true, perhaps we can conclude that the associated [M] must be true as well. That Lindzei isn’t being entirely truthful to her fal’Cie and is manipulating them into searching for the Door.
  • Why Lindzei would need to manipulate her fal’Cie at all is answerable using what’s been established in the previous 3 points. None of the Cocoon fal’Cie can be tasked to bring down Cocoon because their Maker, herself, is incapable of doing so. Lindzei needed a ruse so that her fal’Cie would carry out Cocoon’s destruction without her explicit orders. So she abandoned her fal’Cie, anticipating they would do whatever’s necessary to reunite with their Maker. As far as the fal’Cie know, there are only two Realms: the one where they reside, and the one behind the Door. Since Lindzei isn’t in the former, they came to conclude that she must be residing in the latter. Thus, they made it their goal to open the Door.
 

The Verdict:

Barthandelus planned Cocoon’s destruction himself, but it was secretly due to Lindzei’s manipulation.

Timeline:
  1. Lindzei created humans using Etro’s blood. As humans died, she came to learn about souls and how they travel through the very Door that she was tasked to locate by Bhunivelze.
  2. Lindzei sought to use those souls to access the Door. So she created Barthandelus and other fal’Cie to build and maintain Cocoon to ensure humanity’s propagation.
  3. But since Lindzei is the divine protector, she’s incapable of intentionally causing death and destruction to the Physical Realm. She can’t create a fal’Cie with the specific task of bringing down Cocoon to release those souls.
  4. To work around her limitations, Lindzei vanished from the Physical Realm. By doing so, the fal’Cie came to believe that she must be residing at the other side of the Door.
  5. Thus, Barthandelus devised the plan to open the Door himself. Since Barthandelus decided on his own to sacrifice Cocoon with the simple intention to be reunited with his Maker:
    • Lindzei successfully manipulated Barthandelus into carrying out her primary task to locate the Door with the false assumption of a reunion once it’s opened.
    • Lindzei’s own nature as the divine protector was never violated since she never directly ordered Barthandelus to destroy Cocoon.
 
 

Other Questions:

 

What is the Cocoon fal’Cie hierarchy?

[ULTIMANIA SCAN]
  • The Datalog notes that the total fal’Cie population, including the lower hierarchy, reaches over 8 million. The following details the structure of the hierarchy:
    • Barthandelus stands independently as the leader who controls all of the Cocoon fal’Cie, sans Orphan. The Ultimania implies that Barthandelus was the first fal’Cie created by Lindzei which is why his existence isn’t physically tied to Cocoon, nor is he reliant on Orphan’s provided power. It’s why he’s free to come and go as he pleases, as shown by how he paid the party a visit at Oerba.
      • It’s possible that Barthandelus has had several faces over the many years of Cocoon’s existence. We do know for a fact that he can alter his appearance at will, seeing that he donned the façade of Serah at Chapter 11. So to maintain his position as the Sanctum Primarch, he would need to slip into a new disguise every few years, feigning a human’s death. Galenth Dysley could have been a real person in the past who was secretly replaced by Barthandelus when he rose to the role of Primarch. Perhaps this is a cycle that has gone on since the Sanctum was established.
    • Menrva is Barthandelus’ rukh who serves as a vessel for his powers when he’s in human form. Notice how Menrva always fuses with him whenever Barthandelus changes into his fal’Cie form. In essence, Menrva is an extension of Barthandelus’ power.
      • Menrva is also capable of transforming into an airship which Barthandelus forces the party to board when he wants to lead them to a particular location. First was to escape the Palamecia and be dropped off at the Fifth Ark for some good old-fashioned l’Cie training. And second was to hitch a ride from Oerba to return to Cocoon and pick up where the plan left off.
    • Orphan provides power to Eden that’s needed to keep Cocoon operational. It is protected within the alternate dimension created by Eden called “Orphan’s Cradle”. The only way to access this dimension is by entering fal’Cie Eden whose form is actually the tallest tower that stands at the center of Cocoon. That tower is the exact building that the party enters at the end of Chapter 12 after defeating Yaag Rosch who was initially protecting Eden from intruders.
    • Eden distributes power provided by Orphan to the rest of the Cocoon fal’Cie, i.e. Phoenix (light), Kujata (energy), Carbuncle (food), Leviathan (water), etc. Note that Orphan’s Cradle is a physical manifestation of the network that connects Orphan’s power > given to Eden > and circulated to the fal’Cie. That is why you see Phoenix, the Bulkhead fal’Cie, Carbuncle, and Kujata as you make your way through the Tesseracts.
      • The human populace believe that Eden is the head of the Cocoon fal’Cie who communes with the Primarch when fal’Cie intervention is deemed necessary. They trust that Eden’s judgement is without fault, thus easily agreed to carry out the Purge. But while Eden is the apparent face of the Sanctum, Barthandelus is the actual “voice of the Sanctum”, pulling the strings of both the human and the fal’Cie.
    • The major fal’Cie of Cocoon have a number of subordinate fal’Cie that help them accomplish specific tasks. An example is fal’Cie Phoenix who serves as Cocoon’s light source and also adjusts Cocoon’s climate. While Phoenix mainly regulates daylight to provide warmth and illumination, it has some subordinate fal’Cie that are in charge of maintaining patterns of wind and precipitation. Also, the orbs in Sunleth are mechanisms that provide access to the subordinate fal’Cie that manipulates rain.
    • There is at least one major fal’Cie assigned to each location in Cocoon. Like Eden to the capital city of Eden and Siren to the beachside town of Bodhum. There aren’t many details about Siren, but perhaps we can theorize her duties are similar to that of Eden. Using an analogy, if Eden is the “governor” distributing power to the major fal’Cie of Cocoon, Siren could be the “mayor”, taking that power from Eden and distributing it to the lower fal’Cie of Bodhum.
    • The Ultimania states that the PSICOM flagship Palamecia is a fal’Cie that was modified into an airship with heavy artillery. On the other hand, it’s never confirmed whether the Cavalry flagship Lindblum is also a modified fal’Cie. It’s possible though, since its general form is reminiscent of Lindzei’s crest. Just like how Carbuncle and Kujata’s forms are reminiscent of the crest. The “shield fal’Cie” Protera isn’t mentioned in the Datalog, but it was tasked to secure the Vestige and help the Palamecia transfer it to the Hanging Edge.
    • It’s revealed Ultimania Omega’s short story, ”A Dreaming Cocoon Falls into the Dawn” (credit to mecorx and wockyk), that there are fal’Cie that disguise themselves as humans. Their purpose is to blend in with military to keep an eye on the populace to make sure they don’t find out about the plan to sacrifice Cocoon. These types of fal’Cie are capable of speech and can get away with looking like humans because the military uniforms fully cover their profile on the outside. However, the mechanical gears inside of them can still be faintly heard which can give their true identity away.
      • It’s possible that the Sanctum Templars in Orphan’s Cradle are among this breed of fal’Cie, as evidenced by: 1) All human enemies are classified as either “PSICOM” or “Guardian Corps” soldiers. The ones in Orphan’s Cradle, though, are specified as “Sanctum”. 2) They reside only in Orphan’s Cradle which, as previously noted, is a physical manifestation of Eden’s connection to the fal’Cie. There’s no logical reason for actual humans to reside in this dimension. 3) Cie’th are aggressive towards all living creatures such as monsters, humans, and bioweapons. However, there’s a Wladislaus Cie’th that’s shown fighting alongside a Sanctum Templar. The only way that could be possible is if the Templars are actually mechanical in the inside, similar to the fal’Cie described in the Ultimania short story.
    • There are fal’Cie that control Cocoon’s network terminals, as stated in the Ultimania Omega short story which is also backed up by details found in-game. These network terminals are what serve as Save Stations in FFXIII, allowing the party to shop for supplies and upgrade equipment. The reason why the party was able to access these terminals without getting caught, despite being fugitives, is because the fal’Cie allowed them to. Below are messages from the fal’Cie:
      • Sanctum Labs: ”Your visit to this site will not be detected by the military, l’Cie. Your access trail has been concealed by the fal’Cie from the very start.”
      • Eden Pharmaceuticals: ”Let Cocoon’s own sciences empower you as you help to fulfill her destiny!”
      • R&D Depot: ”Seize the means to fulfill your Focus, l’Cie. Fal’Cie power will see it delivered unto you.”
    • Lastly, there are the fal’Cie that function as gates, elevators, bulwarks, etc. You pass by a few of these types when playing the game. Most notably the one in Gapra Whitewood, known as the Bulkhead fal’Cie, and the various doors/gates that you pass by in the city of Eden. Keep an eye out for any structures that have humanoid faces or Lindzei’s crest on them because those are all fal’Cie.
 

How does the Purge fit into Barthandelus’ Plan?

  • The Purge, taken at face value by the common citizen, was said to be the mass migration of the people in Bodhum down to Pulse. But in truth, it was actually meant as a mass execution since PSICOM never intended for them to leave Cocoon at all. Connecting this event to Barthandelus’ plan, though, shows another story behind the purpose of the Purge.
  • See, Cid Raines was instructed by Barthandelus to capture Fang and Vanille to keep them away from PSICOM’s grasp. That way, Raines would be able to serve his purpose as Barty’s l’Cie by “guiding them to the path of Cocoon’s destruction”. That plan went awry, however, since Raines was only able to get custody of Fang.
  • That said, it’s likely that Barthandelus intended for the Purge, and especially the destruction of the Pulse Vestige (the temple of Fang and Vanille’s hometown), to angeupset the l’Cie enough to want to retaliate against Cocoon. Raines would then sell the tale that all these horrible things are happening because of “fal’Cie control”. He’d tell them that he wished to “give Cocoon back to the people” (which isn’t actually a lie in his part). Fang and Vanille would no doubt sympathize with this goal, thus they’d be willing to team up with the Cavalry to attack Eden and take down the Sanctum. From there, Raines would lead them to Orphan, and the rest is history.
  • But again, this plan went sideways since Vanille managed to slip from Raines’ grasp. Had the plan to capture both Pulse l’Cie been successful, the Purge would’ve basically served not just to A) instill fresh fear of Pulse into Cocoon’s population, but it would also serve to B) jumpstart Barthandelus’ plan to destroy Cocoon. Fang and Vanille weren’t “doing their jobs” right when they woke up since the former lost her memory and the latter was playing ignorant. So Barty needed to make them furious enough to strike back against the Sanctum, thereby manipulating them into fulfilling their Focus.
 

Was Kujata branding Dajh part of Barthandelus’ Plan?

  • No. Dajh getting branded was just self-defense on Kujata’s part, and a consequence of Fang and Vanille’s actions in Euride. If Fang hadn’t insisted on paying a visit to the Euride Power Plant’s fal’Cie, Dajh would never have been branded in the first place. Although, this phenomenon does go to show how Kujata is aware that Barthandelus’ plan has been set into motion because it only gave Dajh the Focus to “capture” Pulse l’Cie and not “exterminate” them. Not that a kid could exterminate ‘em anyway, but still (or am I underestimating Sazh’s kid, of all kids). Kujata knows that Barthandelus needs the Pulse l’Cie alive, so having them killed was out of the question. On top of that, giving Dajh the power to sense any Pulsian presence is a clear bonus that proved to be advantageous to the plan.
 

What were the 3 humanoid figures that the party saw in Orphan’s Cradle?

  • These figures are Eden’s subordinate fal’Cie. The Ultimania doesn’t expand further in regards to their existence, as far as I know, so we’re left only to speculate.
  • All we know for sure is that they serve Eden, putting up portals on her behalf as ordered by Barthandelus. Perhaps they also help Eden in distributing power provided by Orphan, similar to how Phoenix has subordinates that help regulate climate. Because not only do they reside within the network that connects Orphan to all the fal’Cie of Cocoon, but they’re also shown to manipulate the network’s structure itself, hence controlling the flow of power.
 

Who do the two faces of Orphan’s 1st form represent?

  • The two faces of Orphan’s 1st form are meant to represent a paternal and maternal figure. The paternal figure is Barthandelus, being the head-of-household/patriarch/leader of the Cocoon fal’Cie. The maternal figure represents Lindzei, being the deity who created/birthed all of the Cocoon fal’Cie.
  • This 1st appearance of Orphan is merely a shell for its actual form. A protective barrier that the party needed to take down before they were able to finally beat Orphan. This double-faced shell is comprised of Barthandelus and Menrva’s now lifeless forms. The former who was defeated by the party and sank into Orphan’s watery amniotic fluid cradle. And the latter who used what was left of her power to rouse Orphan from its slumber.
  • It’s been noted in Batch 2 that Orphan losing its protective barrier between its 1st and 2nd forms a figurative representation of Orphan becoming an orphan. But even before losing its protective parental barrier, there’s already some derivable symbolism of that concept the moment Orphan woke up from slumber. First, absentee mother Lindzei abandoned it at birth. Then, manipulative father Barthandelus was murdered by homicidal l’Cie. Basically, the party was literally responsible for orphaning Orphan.
  • That said, it’s possible that the main catalyst for Orphan’s awakening is actually the loss of its remaining “parent”. It would explain why Barthandelus rejoiced, “At last! Release!” (i.e. Orphan’s release), upon his defeat. While it was mentioned earlier that Menrva woke Orphan up, note that Menrva is an extension of Barthandelus’ power. So it’s not literally Menrva herself who woke Orphan up, but still in essence Barthandelus.
    • Side note for showerthoughts: We could say Eden is the “foster mom” who took care and sheltered Orphan in Lindzei’s absence. (Or would it be “surrogate mom” since she’s carrying Orphan like a fetus with the Cradle as her womb, so the party defeating Orphan inside of her correlates to complications at birth or an abortion gone wrong?)
    • Building from the above thought, the relationship between Lindzei, Barthandelus, Eden, and Orphan is like a gender-bent Christian God, Mary, Joseph, and Jesus. 1) Lindzei/God = Supreme Being. 2) Barty/Mary = creation of Supreme Being, chosen parent of child. 3) Eden/Joseph = creation of Supreme Being, foster parent of child. 4) Orphan/Jesus = child of Supreme Being, destined to die to “save a people beyond salvation”.
    • Hell, let’s toss in Menrva as the Holy Spirit. Proposed family structure in mind, Orphan’s awakening basically equates to the virgin birth …Not sorry for this whole tangent.
 

Why were there two Doors that appeared? One in Eden and the other behind Orphan?

  • It's not that there were two Doors, but rather the Door can appear or manifest anywhere. It’s mentioned in Analect 13 that ”despair is the secret key”, meaning cries of despair are what catches Etro’s attention which makes her turn her gaze to the Physical Realm, thereby causing the Door to appear. At Chapter 12, when there were mass deaths with Eden under siege, Etro’s attention was drawn there because she felt the anguish of Cocoon’s populace. Then when the party faced off against Orphan, Etro shifted her attention to them because she felt their despair after becoming Cie’th.
  • Other known instances of the Door appearing was after the Invasion of Paddra when Etro gave Caius her Eternal Heart as a reward for his heroic sacrifice to protect the Seeress and the Paddrean civilization. The other was during the War of Transgression when Etro stopped Ragnarok’s rampage to save the people of Cocoon. Etro’s intervention in these two events is evidence enough to conclude that the Door had made an appearance. The latter event is further supported by fact that the Pulsians were fully aware that it was the Goddess who “betrayed” them. This is detailed in Analect 4 by Paddra Nsu-Yeul and the prophecy that Vanille reads at the end of Chapter 11.
 

What were those crystal lights that were floating around Eden?

  • It’s easily assumed that the crystal lights around Eden are the souls of the dead, given that there’s no obvious indication that would suggest otherwise. However, the Ultimania explicitly states that the crystal lights are a sign that the Door of Souls has been opened. So while the Door did open because of the souls, the lights aren’t the actual souls themselves.
  • There’s actually extremely subtle evidence that the lights aren’t souls since they’re present during another particular instance in the game. Other than at Eden, they also appeared at the Final Battle after Fang and the others reverted back to human form. In this case, the lights appeared because the Door was personally opened by Etro so she could aid the party by sealing their Brands, thus reversing their transformations.
Follow-Up Question: Were the lights seen in the Vestige the same as the ones in Eden?
  • First off, other than the Vestige, there are other instances when these lights have appeared in-game:
    • Before the Barty 3 battle, Vanille comments on the, ”Little lights. Just like in Oerba,” which become even more prominent when Serah and Dajh’s crystals are shown to the party. Then after the battle, notice how those lights completely disappear.
    • The little lights that Vanille commented on was visible before the Barty 2 battle when Barty disguised himself as Serah. It’s a little fainter here, possibly because of the generally white background, but it’s fully visible around Serah’s form.
    • Before the Barty 1 battle we get the first small glimpse of those lights since the Vestige. Then after the battle, the lights are back again. But unlike the previous 2 mentioned instances, these lights aren’t widespread and only appear whenever Barthandelus uses his powers.
  • So it seems the little lights are connected to Barthandelus’ illusion magic, or just his powers/presence in general. While they may look fairly similar, there’s a subtle distinction between the Door’s crystal lights and Barty’s little lights. The lights from the Door look like rounder, fuller crystal shards/petals that are consistently visible to the eye. The lights emitted by Barty look more like thin, fleeting sparkly particles/glitter that flicker on and off. That said, the lights from the Vestige look more similar to the little lights caused by Barty’s magic than the crystal lights that appear because of the Door.
  • Additionally, these lights were alluded to in the Fragments After novella where they were referred to as "crystal particles". It's said that their appearance is directly related to the presence/power of a fal'Cie, which makes sense in Barty's case mentioned earlier. But for the case of the Vestige, it's most likely that they were caused by Anima's presence/power, especially since it had just recently turned a number of humans into Cie'th.
 

What does the “Poem of Ragnarok” on Orphan’s form say?

Latin ENL JPT
Viator elamentabilis, Ragnarok O piteous Wanderer, Ragnarok Pitiful lost child, Ragnarok
Tuum fatum sequeris Embrace thy fate In accordance with fate
Tuum sanctuarium affligeas Thine home to burn Tear down paradise
Tuum mundum dispertaris Thine world to shatter Destroy the world
Usque lux apparet, animae mortuae procusae sunt Cast thy light upon the souls of the departed The light of the souls of the dead
Per somnum aeternum, numen divinum dictus est That fallen souls might bare our plea... To hasten the Divine's return. Shall guide the eternally sleeping god
  • Latin – the words seen on Orphan’s 1st form, written in Cocoon Script.
    • Only “Viator elamentabilis, Ragnarok” is written on Orphan’s 2nd form.
  • ENL – the lyrics to the Ragnarok theme which is partly recited by Barthandelus under the guise of Serah.
  • JPT – the English translation of the lyrics when basing on the Japanese text in the Ultimania.
  • The Latin words roughly translate to (via Google Translate):
    • ”Melancholic traveler, Ragnarok. Follow your fate. Distort your sanctuary. Divide your world.”
    • The rest is gibberish grammar-wise (as expected of GT), it wasn’t worth adding to the table.
  • It’s not reflected in the ENL version, but the last line of both the Latin and Japanese lyrics specify “eternally sleeping divine” (aeternum, somnum, divinum). The ENL implies that the poem is about the Maker’s return. But the Latin and Japanese versions seem to distinctively refer to Bhunivelze, being the god who’s sleeping in crystal “until the end of eternity” according to the FNC Mythos.
    • If the poem was indeed meant to reference Bhunivelze, then it further proves that it was originally Lindzei’s plan all along to have Ragnarok destroy Cocoon so she can wake Bhunivelze up once the Door was found. The poem is basically Lindzei’s scheme in a nutshell, and Barthandelus was deceived into believing he came up with it on his own. In the end, he was just an oblivious pawn who was manipulated into carrying out his master’s plan under false pretenses. Extremely ironic, considering Barthandelus is supposedly depicted as a master of manipulation/deceit.
 
 
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Hope this didn’t turn out too confusing, and if anyone sees any holes in the reasoning, lemme know. As usual, additional questions are always welcome!
submitted by KuroPuP to FinalFantasy

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