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Delay, Distortion, Filters and other audio plugins for the Live, Pro tools, Cubase, Logic and many other DAW users.

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Midi triggered FX vsts are revolutionizing my life.

I never knew there were midi controlled fx. Like where you create a midi track just to send triggers to an fx vst already on audio or a midi synth. It’s so useful to be able to throw something like ohmicide or trash 2 on a track and then have a midi triggered filter filter everything so you get the distortion in the filter sweep and not just distortion after a filter. Mannn I used to draw all the envelopes by hand. Shit is revolutionizing the way I think about processing sounds.
You just make a midi track in ableton and route your effected track into it and then back out to the same track. Then select the specific fxplug in you want to trigger. And boom you have total control of what happens, perfectly in sync. Oh and that shit works with serum lmao... oh but frucking ohmforce made it a bitch to do.. but it works enough. Quadfromage for the win.
submitted by rypalm to edmproduction

Let's talk VSTs - synths, effects, anything

Those of you out there using software, what are you using that you recommend everyone check out?
Here are some of my go-to VSTs for different things:
  • Rob Papen Predator - this synth is just ridiculously capable. It can do everything and do it well. I find myself grabbing it when I'm looking for good sequenced bass lines, pads and sound effects. The leads are good, but for some reason I'm really drawn toward those sounds on this synth. The effects are amazing, too. It runs as an FX unit only so you can run anything through the filter and effects section. I use the Gator effect a ton.
  • Absynth 5 - If I'm looking for soundscapes, sound effects, pads, or anything in that area I almost always look at Absynth first. It's a pretty involved synth, but extremely capable of all kinds of sounds. Here is a good video that gives you a good idea of what kind of modulation and programming it is capable off.
  • Korg Legacy Collection - The M1 and Wavestation are recreations of the classic digital synths. I don't own the originals but I've read they are pretty much spot on since they were digital to begin with. The M1 just sounds huge and has a ton of interesting sounds (lots of very 80s sounding drums, too). The MS-20 is pretty decent sounding but I am having a more and more difficult time picking up an MS-20 Mini now that the price has dropped. The Polysix is okay, but I love the MonoPoly's sound. My biggest complaint with the Polysix (and MS-20) is the interface.
  • Xfer Serum - This is a great sounding synth that I use quite a bit but you have to be careful. It's a very modern sounding synth with a ton of huge sound that can over power if you don't pull it back a little. The evolving nature of wavetable synthesis really makes it great for pads and soundscapes, but it does leads really well, too. I know it's probably used for the growly wobbly bass a lot because it's really easy to do in this synth, but I don't use that sound so I generally stick to pads and leads.
  • Xfer Cthulhu - This is an excellent MIDI effect that does a lot. If you're lost for inspiration, queue up the chord mode, load one of the Bach Chorals and play some notes on your keyboard. The notes get turned into chords and all the chords are diatonically correct but stuff you'll probably not come up with. The arpeggiator is my absolute go-to arpeggiator. So much versatility... Good demonstration of this effect in this video.
  • Z3TA+ 2 - great all-around synth. Seven oscillators with lots of waveforms, tons of modulation, a massive arppegiator that includes hundreds of presets and an effects section. I use this for just about any type of sound.
  • GForce Oddity 2 - Emulation of the Arp Odyssey. This thing is a monster. I just got it recently and I'm still trying to figure out how to get some sounds to sit in mixes because it sounds huge. I've been able to use it in a few areas, but I'm really liking it so far... Makes me start thinking about the KARP again if it comes down in price.
  • Arturia's Arp 2600 - I use this for a lot of the sound effects and stuff that you hear on a lot of Front Line Assembly albums. that kind of bleepy resonant filter sound. This makes a lot of other great pads and lead sounds, too.
  • T-Racks Black 76 - T-Racks emulation of the 1176 compressor. I use this on percussion a lot because it adds some dirt/character to them.
  • T-Racks White 2A - T-Racks emulation of the LA2A limitecompressor - I use this on a lot of pads and other less percussive sounds if they need a little boost in the mix.
  • Native Instruments Bus Compressor - NI's glue compressor. I use it on my overall drum tracks or on a bus channel to boost the overall drums more. I saw a technique where you scoop the mids out before gluing them so you get more punch in the lows and highs - I'll do this on occasion.
  • PSP Audioware Vintage Warmer - I usually throw this on synths that have a lot of clean digital sound to them if I want to give it some grit. It just gives you the sound of that overdriven warmth sound. I have a lot of PSP software because it all sounds great and they usually have amazing sales.
  • Waves C4 Multiband compression - good for targeting specific frequencies in a sound when you need to.
  • PSP Audioware Neon HR EQ - great EQ, very easy to use. The "Frequency Hunter" mode lets you boost/remove important/annoying frequencies. Lots of bands for use with the usual EQ modes and a mid/side mode as well. Comes in three modes but I usually just use the "mix" mode because it's so light weight.
  • Multi-band distortion - OhmForce's Ohmicide, D16 Group's Devastor, Audio Damage's Kombinat DVA, and Izotope's Trash 2. I just picked up Trash 2 because it's on sale on Plugin Boutique's site and I have absolutely fallen in love with it. It's so easy to use and has added features like filters (with lots of modes and modulation), delay, and convolution with a ton of different sounds and the ability to load your own/3rd party impulses. I use Devastor a lot, too. Not as robust as the others, but it has some unique sounds that I find useful. As much as I like Ohmicide, it's difficult to contain. I've found it best to put it on a bus and dial in the amount of distortion you want that way because a lot of the distortion modes get gnarly fast. Kombinat DVA is cool, but pretty limited compared to the others. If you're looking for a cheap multiband distortion, however, it's very inexpensive.
  • Bit crusher - D16's Decimort. This thing is awesome. It can do heavy bit crushing but I find it very helpful to add some grit to higher harmonics if I have a sound getting lost in the mix. I like the "bit-crushed" sound, but it gets a bit excessive quickly.
  • Valhalla Vintage and Shimmer - Cheap, extremely lightweight yet they sound phenomenal. If you're needing a go-to reverb, grab Vintage. I use the gated reverbs on a bus channel quite a bit. Shimmer is great for big, long, effect reverb sounds.
  • Waves Renaissance Reverb - easy to use, yet it sounds awesome.
  • Waves H-Delay - great sounding delay. You can get some amazing sounds from this delay unit.
  • Waves SuperTap - Multi-tap delay with a lot of customization.
Random effects
So, what are you guys using and why?
submitted by damien6 to IndustrialMusicians

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