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Using Essential audio library, how do I get the Beats Per Minute, loudness of an audio and its pitch/key signature

I am looking at the Essential audio library and I am a little lost. I am new to programming and I need help with how would I get Beats Per Minute, the loudness of an audio and its pitch/key signature, would anyone know this?
submitted by unix21311 to learnprogramming

What are the essential audio cables? How much do you film gimbal vs. handheld?

Hi everybody! I've done wedding photography before but never wedding videography. I really want to knock it out of the park on my first go, so I want to make sure I do all of my homework beforehand to make the process as smooth as possible.
Here's the audio gear I'm working with:
  • Tascam DR-40 portable recorder
  • Sennheiser G3 wireless lav system
  • Sennheiser MKE400 camera-mounted shotgun mic
  • Audio Technica 3.5mm powered lavalier mic
My audio question: how would you utilize this gear to record ceremonies/speeches? I'm thinking I'll put the wireless lav on the groom and have that feed straight into my tripod camera, and then I'll get a feed from the soundboard or mic receiver and plug that straight into the Tascam. Then, for when people are doing toasts, I'll just move the lavalier mic right in front of the speaker because I won't be able to mic up every single person who's giving a speech, and I'll still get a feed from the Tascam. Does that sound like it would give me usable results?
And if so, what are every cable that I might need on a wedding day? Would these cover every situation I might encounter? If not, what else should I get?
  • XLR male to female
  • 3.5mm male to male
  • 1/4" instrument cable
Here's the video gear that I'm working with:
  • Canon R6
  • Canon 6D
  • Canon 24-70 f2.8L first edition
  • Tokina 16-28 f2.8
  • Tamron 70-200 f2.8 VC
  • Canon 35 f1.4L
  • Canon 50 f1.8
  • DJI Ronin S
  • Plenty of tripods, a monopod, a shoulder rig, 3 portable LED lights, a 7" monitor
I know that it's important to stay nimble when you film, so I figured I'd keep one camera handheld and one on the gimbal for the whole day besides the ceremony, which will be one handheld and one on a tripod. I have some experience with the Ronin, but that was in a more cinematic environment where it was about taking our time to get the proper shot. Experienced gimbal users, do you frequently change lenses and take your camera on and off of the gimbal? It took me like half an hour to balance it once, so it seems like any lens swaps or even lens zooms if it's not internal will be out of the question for the big day.
My video question: Does using the R6 with my 24-70, 70-200, & 35 handheld/monopod, and keeping my 6D on my gimbal with the 16-28 sound like a good plan?
Unfortunately, the 6D doesn't have autofocus and only films at 1080/30 (the company I'm working for prefers their stuff to be in 1080/60), and lacks IBIS. The IBIS in the R6 is so damn good that I've found I'm able to film with all of my lenses and have it be stable, so I figured I'd make the R6 the general use camera and use the 6D with an ultrawide lens, so that I don't have to worry too much about focusing with it.
Any thoughts and tips are appreciated!
TL;DR: What are the essential audio cables for wedding filmmaking? How would you use a portable recorder, wireless lav, and shotgun mic to record a wedding? Does using the R6 with my 24-70, 70-200, & 35 handheld/monopod, and keeping my 6D on my gimbal with the 16-28 sound like a good plan?
submitted by Bronze_Kneecap to weddingvideography

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